Cine-Constellation: Three Films by Amie Siegel
Cine-Constellation: Three Films by Amie Siegel
November 19-20, 2010
Director in attendance!
The work of American filmmaker, author and video installation artist Amie Siegel, as she puts it, “mines the voyeuristic gaze," while exploring and challenging various media and its capacity to communicate human perceptions and history. The films in this series explore themes of cultural memory and identity in particular relation to Germany, her adopted country. The restrained self-reflexivity and deadpan humor that unite Siegel’s films lend them richness that actively questions the limits of traditional nonfiction cinema.
Exhibitions and screenings include The Talent Show, Walker Art Center; Auto-Kino! Temporäre Kunsthalle Berlin; The Russian Linesman, The Hayward, London; 2008 Whitney Biennial, Whitney Museum of American Art; Forum Expanded, KW Institute for Contemporary Art, Berlin; Berlin International Film Festival; Pacific Film Archive, Berkeley; Museum of Fine Arts, Boston; BFI Southbank; Frankfurt Film Museum, and Film Forum in New York. Her first book of poetry, The Waking Life (North Atlantic Books, Berkeley, CA) was published in 1999. Siegel has been a guest artist of the DAAD Berliner-Künstlerprogramm, the Fulton Fellow in Non-Fiction Filmmaking at the Film Study Center at Harvard University and a recent recipient of the Guggenheim Fellowship.
Special support provided by the Academy of Motion Picture Arts and Sciences
Empathy
Nov 19, 2010
(Amie Siegel, 2003, USA, 35mm, 92 min)
The postmodern Empathy explores the practice of psychoanalysis, reversing its traditional power structure, and putting psychoanalysts on the couch. It’s much more than a traditional documentary, with interviews of practicing psychoanalysts dispersed throughout, resulting in an ultimate collapse of the genres of fiction, screen test and documentary.
DDR/DDR
Nov 20, 2010
(Amie Siegel, 2008, USA, HD, 135 min)