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Amanda Salazar is currently a Programmer with the SFFILM Festival. She is also the co-Director of the Camera Obscura Film Society, a curated film event that takes place in various locations throughout the Bay Area, primarily in Petaluma, CA. Previously, she was the Vice President of Film Acquisitions at Fandor and Program Director of the Newport Beach Film Festival and Orange County Film Society. She is also a classically trained violinist and continues to perform when there is time between watching films!

Photograph by Oguz Uygur

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Brenan oversees projection, sound, lighting and other tech needs as our Technical Director. He has worked as a projectionist since the age of 16 and has worked extensively with the Seattle Art Museum, Seattle International Film Festival, and several other theaters around the northwest. Brenan became a volunteer projectionist at the Northwest Film Forum after moving to Seattle from eastern Washington in 2009. When not spending most of his time in windowless booths, he has a passion for electronics, music production and video art, synthesizers and all things hands-on & DIY.

Photograph by Oguz Uygur

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As Managing Director, Christopher Day is responsible for overseeing finances, systems and our Fiscal Sponsorship program. He was likely the face you saw on a nightly basis as House Manager, and will now see actually sitting inside our theaters once again. Chris graduated with a B.A. in Film from the University of North Texas in 2007, and relocated to Seattle in 2009, inspired by its vibrant film and arts scene. He has worked on various short film projects, both as director and editor, and has written extensively on film theory/appreciation for an online film journal he maintained for years. He recently edited the feature film The Life of Flowers. Chris began volunteering with the Northwest Film Forum in 2010, before coming on board as House Manager in 2012.

Photograph by Oguz Uygur

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Cris is a filmmaker and artist who moved to Seattle in 2011 to study film and creative writing. Cris is passionate about fostering community through the arts and media and participates in Seattle’s thriving DIY community. They have written for Screen Queens, a blog focusing on women filmmakers and the LGBTQ+ film community. While at Seattle University, they interned at TheFilmSchool and The Vera Project. Also, Cris co-wrote, cast, and art directed the short Out of Print, which won 1st place and the “Audience Choice Award” at Seattle University’s 2014 Film Festival, as well as the “Audience Choice Award” at NFFTY.

They first became involved at NWFF in 2014 when they interned as the Gala Coordinator. Afterwards, they continued studying film through NWFF’s workshops and classes because of NWFF’s commitment to accessibility.

You will find Cris helping to make your night at a NWFF screening as enjoyable as possible as the Patron Services Manager.

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Derek Edamura is a documentary editor, teaching artist, and community organizer who focuses on creating meaningful partnerships that empower emerging artists to tell the stories that are important to them in the way that is most representative of their authentic experience. Over the past 13 years, I have worked for corporate clients, non-profits, short independent films, and feature-length documentaries. I have also worked as a teaching artist for secondary schools, community centers, and various summer programs. Currently, I am the Digital Storyteller for the Port of Seattle focused on expanding the video program and integrating community storytelling into our narratives. Much of my work aims to create meaningful relationships that allows communities to collaborate and create art through equity, imagination, and joy. derekedamura.com

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Elise is an artist and dance film enthusiast and she is joining the Northwest Film Forum team as the Marketing and Outreach Specialist. In addition to her role at NWFF, she is also creating dance films in the Greater Seattle Area. Elise is excited to be a part of NWFF and looks forward to supporting the organization’s mission and vision.

Photograph by Olivia Thomas

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Hana is a writer and film curator born and raised on the traditional land of the Duwamish people. Prior to joining Northwest Film Forum, she studied Cinema and Media Studies at UCLA, with her research focusing on non-English language film distribution and consumption in the United States and the representation of multiracial people throughout Hollywood history.

Hana has served as a festival screener for the Hawai’i International Film Festival and the Indian Film Festival of Los Angeles. She enjoys attending film festivals of all sizes when she travels around the world. She is passionate about film appreciation and discussion, especially with youth audiences. As a proud alum of TeenTix, Hana especially looks forward to welcoming young people to the Forum to see, create and experience films from around the world and their own backyard.

When not at a movie screening, Hana enjoys cooking and playing with her cat, Mirai.

Photograph taken by Maya F-P

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Kendra Ann Sherrill is passionate about all things children’s films! As a filmmaker, she enjoys creating whimsical stories including her short film A Dreamer’s Melody, which screened at over 20 children’s film festivals around the world. She is also the Editor of the award-winning local children’s television series Look, Listen, and Learn. Kendra’s extensive experience with film festivals and arts organizations include being the Director of the Spokane International Film Festival, serving on the Industry Advisory Board for the National Film Festival for Talent Youth (NFFTY), and being a founding board member for the Spokane Film Project. Kendra is giddy with excitement to join the Northwest Film Forum team as the new Director of the Children’s Film Festival Seattle, where she hopes to continues its legacy with a little bit of sparkle!

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Since Paul’s introduction to Northwest Film Forum in 2011 as a Children’s Film Festival Seattle intern, he has been a seasonal assistant to Liz Shepherd, co-curator of the Film Forum’s inestimably popular semi-annual You’re Lookin’ At Country program, and a devoted Forum volunteer. In 2016 he joined the Forum as Courtney Sheehan’s Programs Assistant and now spends his days keeping the website, Facebook, and Twitter current, as well as providing support to Programming, Marketing, and Facilities as needed. When out of the office, he is an illustrator, video artist, and the Communications Manager and Audiovisual Technician for Moving Image Preservation of Puget Sound.

Photograph by Oguz Uygur

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Rana San is an artist and arts administrator who, prior to stepping into her role as Artistic Director, served as the Community Programmer at NWFF, co-creating programming driven by and for the community. Rana co-directs the annual Cadence: Video Poetry Festival, the only video poetry festival in the PNW.

Drawing on her background in performing arts and cultural management, she has curated and produced cultural festivals, museum programs, and intimate creative salons in Seattle, Istanbul, and Barcelona. Her creative practice melds dreamwork, written word, body in motion, video poetry, and analog photography. She’s interested in the ways we relate to ourselves, each other, our surroundings, the unknown, and the new meanings that are made in spaces where artistic mediums meet.

Rana’s first stop motion animation short disarmed screened at Local Sightings in 2016 and she serves on the short film committee for the Seattle Turkish Film Festival.

Photograph by Melanie Masson

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Vivian Hua is a writer, filmmaker, and organizer who worked with NWFF in various capacities before stepping into their role as Executive Director in October 2018. Vivian first came to the organization as the Co-Founder of the national film and civil rights discussion series, The Seventh Art Stand, and then as the organization’s Design Lead, where she led rebranding efforts. Vivian has been the Editor-in-Chief of the socially conscious arts publication, REDEFINE, since 2004, and much of her work unifies her interest in the metaphysical with her belief that art can positively transform the self and society.

In 2017, Vivian released their narrative short film, Searching Skies – which touches on the controversial topic of Syrian refugee resettlement in the United States – and in December 2021, will begin production on Reckless Spirits, a BIPOC-led metaphysically-minded comedic series.

Vivian is passionate about cultural spaces, sustainable practices, and finding ways to covertly and overtly disrupt oppressive structures. They regularly share stories of observations through the storytelling newsletter, RAMBLIN’ WITH VEE!

instagram – vimeo – website

Photograph by Auriza Ugalino for The Future Ancient

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Zach Frimmel joins the Forum as a contractor managing NWFF’s Collective Power Fund for the Warhol Foundation’s Regional Regranting Program, which provides emergency relief funds for visual-based artists in King Co. 

Zach is a self-taught and active musician (as riife), conceptual artist, and journalist. He’s lived in Seattle since 2012, held a six-year tenure as the Program Coordinator at Artist Trust, and hustled as a short-list writer for KEXP and The Stranger for several years.

His solo project’s debut topics of cancer (in-progress) is a multi-concept album that addresses soft boi magik, colonialism, neurodiversity, and dark souling through tension-melodic riffs, midcult references, and literary devices. topics of cancer plays on the constellation of metaphorical cancers that gut him inside, which Venn-diagrams with a caricature case study on himself as a darkly emotional cancer sign.

As an unconventional friend-maker, Zach enjoys connecting social dots to create a more socially responsible big-picture and championing nontraditional leadership.

bandcamp // instagram // website

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Anastasia Babenko is a Programming Assistant and 2020 Gala Producer at Northwest Film Forum. Before switching to film and moving to Seattle, she used to work as a news reporter in Ukraine, Germany, and Washington D.C. Her first curatorial experience at the Center on Contemporary Art in Seattle inspired her to become more actively involved with film programming. Besides her work at NWFF, Anastasia is also a part of Seattle International Film Festival’s 2020 programming team.

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As an educational assistant on the Education and Artist Services Management, Hanan assists with adult workshops and programming setup. She coordinates with instructors to schedule class dates, collects promotional material from instructors and assists with material setup. Hanan is also a filmmaker, organizer and poet.

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Jonah Kozlowski manages our education and artist services programs and teaches youth and adult filmmaking workshops. He works to grow community partnerships and new programs that will benefit and inspire youth and adult filmmakers and help them connect to resources in the filmmaking community. Jonah has volunteered and taught at NWFF since 2014. He has been working in media education since 2005, is a teaching artist with Coyote Central and Blanket Fort Films, and has taught with Path with Art, and 4th World Media Lab. Jonah works in traditional and VR filmmaking, helping to put on SIFFX in 2015, and VR exhibitions at Local Sightings and Children’s Film Festival Seattle. He currently serves on the boards of Seattle Documentary Association and  ChangeStream Media.

Photograph by Oguz Uygur

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L is a contributing designer and filmmaker behind the curtain for NWFF’s marketing goodies. Last year, L wrote/directed her first short film, I Know How You Like Your Coffee. When she’s not here at the Film Forum, she can be found either at the downtown library or freelancing elsewhere around Seattle. Whether it’s on-set work, video editing, print or education, L has been involved with CUT, The Future is 0, The Stranger, Seattle Art Museum and the Frye Art Museum.

instagram / website / I Know How You Like Your Coffee

Photograph by Sofi Lee

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Carl Lawrence is a Seattle-based artist, director, and organizer whose work oscillates between performance, installation, and visual art. Within his work, he wields theatre, club culture, and visual art as experiential strategies to locate meaning and solidarity in the contemporary world. He frequently collaborates with untrained performers, performers with disabilities, children, and machines alongside DJs and more traditionally trained artists to break down notions of otherness and democratize the field of storytelling in art. He has presented work locally and nationally at venues such as The Watermill Center, On The Boards, ITINERANT Performance Art Festival, Center on Contemporary Art (CoCA), Olson Kundig, and Base: Experimental Arts + Space. His most recent work entitled ✞aaaa✞, which premiered in March 2019, was called a “spectacular demonstration of multidisciplinary work” by Seattle Dances. He is also the Co-Director and Co-Founder of festival:festival, a free visual and performing arts festival that presents and supports underrepresented artists and cultural workers in Seattle. Through festival:festival, Lawrence advocates for economic justice for artists and cultural workers with the intention of building a more vibrant and sustainable arts economy in Seattle.

Photograph by Jacob Rosen.

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Cara Nguyen is on the team doing creative digital marketing and design for the Forum. They produce illustrations, graphics, and social media content for various NWFF programs, grants, and events. Cara is a writer, visual artist, and researcher who has worked primarily in the realm of cultural arts and education programming. Their work, as seen in the Wing Luke Museum, the Little Saigon Creative Space, and various publications, is about preserving local histories, digging into ancestral memories, and cultivating a new world.

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Louie Romo oversees lobby, box office and audience support facilities, concessions standards and staff. He also coordinates venue rentals, runs the box office, ticketing, and nightly deposits. He oversees, schedules, and trains Box Office staff and Front of House interns with focus on customer relations.

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Elizabeth Shepherd oversees all youth programs at Northwest Film Forum, including film presentations, workshops, and summer camps. She has spent more than 20 years in joyous work for film arts enterprises, engaging young people in events, exhibits, educational forums and performances that celebrate global culture. Her work for NWFF includes directing the annual Children’s Film Festival Seattle, the West Coast’s largest annual competitive festival of its kind. She also oversees touring programs of the festival, which travel annually to such locations as the Brooklyn Academy of Music, the Roy and Edna Disney CalArts Theater, the Honolulu Museum of Art, International House Philadelphia and many other prestigious venues. Her contribution to a highly specialized field has been recognized through numerous invitations to participate as a speaker, juror or panel member at festivals, symposiums and summits throughout Europe, Asia, Africa, South America and the Middle East. Before arriving in Seattle, she was the director of the Chicago International Children’s Film Festival.

Photograph by Oguz Uygur

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Andy performs many duties at Northwest Film Forum, including writing film descriptions and assisting with programming. He is a member of the Programming Team for Local Sightings Film Festival, the Guest Programmer of the 2019 Short Cuts Film Festival in Olympia, WA, and is a contributor to the Tacoma Film Festival. He reminds you to please dispose of your garbage as you exit the theater.