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    <title>Northwest Film Forum Showtimes</title>
    <description>Now showing at Northwest Film Forum</description>
    <link>httl://nwfilmforum.org/calendar_feed</link>
    <item>
      <title>French Cinema in the &#8217;90s</title>
      <description>&lt;img src='/images/uploaded_images/0000/4191/GirlBridge_gallery.jpg'&gt;&lt;br&gt;&lt;p&gt;An introduction to the films of the decade, with a sprinkling of&amp;nbsp;French culture. Films studied represent highlights from a decade&amp;nbsp;significant for its artistic and economic transition into the 21st&amp;nbsp;century, including the famous assertion of cinema as a &amp;quot;cultural&amp;nbsp;exception.&amp;quot; The &amp;quot;cinema du look&amp;quot; was waning; heritage epics held&amp;nbsp;strong; women directors were becoming visible; a new generation of&amp;nbsp;young filmmakers began to rise. Students will watch films prior to a&amp;nbsp;weekly discussion session using a handout of study notes/questions to&amp;nbsp;guide and organize their viewing. Bibliographies of selected&amp;nbsp;readings for each work will be available. No special background&amp;nbsp;required.&lt;/p&gt;
&lt;p&gt;Instructor: Joan West. Members: $80; non-members: $100&lt;/p&gt;
&lt;p&gt;Among the films we will watch: The Lovers on the Bridge &amp;nbsp;(L&amp;eacute;os Carax, 1991); Indochine (R&amp;eacute;gis Wargnier (1992); French Twist &amp;nbsp;(Josiane Balasko, 1995); Family Resemblances &amp;nbsp;(C&amp;eacute;dric Klapisch, 1996); The Dream Life of Angels (Eric Zonca, 1998); The Girl on the Bridge (Patrice Leconte, 1999)&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
&lt;strong&gt;Enrollment for this class has ended.&amp;nbsp; Please &lt;/strong&gt;&lt;a href="http://www.nwfilmforum.org/live/page/subscribe"&gt;&lt;strong&gt;sign up for our emails &lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;to hear about the next Required Viewing classes.&lt;/strong&gt;&lt;br /&gt;
&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;!-- AddThis Button BEGIN --&gt; &lt;a class="addthis_button" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;pub=nwfilmforum"&gt;&lt;img width="125" height="16" alt="Bookmark and Share" style="border: 0pt none ;" src="http://s7.addthis.com/static/btn/v2/lg-share-en.gif" /&gt;&lt;/a&gt;&lt;script type="text/javascript" src="http://s7.addthis.com/js/250/addthis_widget.js#pub=nwfilmforum"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt;&lt;/p&gt;&lt;br&gt;&lt;strong&gt;Showdate(s) &lt;/strong&gt; Jan 19 - Feb 23</description>
      <link>http://nwfilmforum.org/live/page/calendar/1147</link>
      <pubDate>Tue, 03 Nov 2009 16:00:29 -0800</pubDate>
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      <title>Awesome Land: Women of Dirt</title>
      <description>&lt;img src='/images/uploaded_images/0000/4286/AwesomeLand_gallery.jpg'&gt;&lt;br&gt;&lt;p&gt;Featuring the bicycle stylings of Tammy Donahugh, Stephanie Nychka, Cierra Smith, Emily Johnston, Lisa Myklak, Jill Kintner, Leana Gerrard, Dawn Cashen, Katrina Strand, Kathy Pruitt, and Darcy Turenne, &lt;em&gt;Awesome Land: Women Of Dirt &lt;/em&gt;is a unique look into the world of Downhill Racing, Dirt Jumping and Freeriding. This film looks through the eyes of the wondrous women that have helped grow the sport of Gravity Mountain Biking with their strength and courage. Other mountain bike films have overlooked these vibrant and dedicated women but no longer! &amp;nbsp;&lt;em&gt;Awesome Land: Women Of Dirt &lt;/em&gt;celebrates the mountain bike while celebrating the women who love them. A beautiful and energetic film that opens a window into an awesome world.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
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&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed width="560" height="340" src="http://www.youtube.com/v/jIJTF2CHCyg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt; &lt;!-- AddThis Button BEGIN --&gt;
&lt;p&gt;&lt;a class="addthis_button" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=nwfilmforum"&gt;&lt;br /&gt;
&lt;img width="125" height="16" src="http://s7.addthis.com/static/btn/v2/lg-share-en.gif" alt="Bookmark and Share" style="border: 0pt none ;" /&gt;&lt;/a&gt;&lt;script type="text/javascript" src="http://s7.addthis.com/js/250/addthis_widget.js#username=nwfilmforum"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt;&lt;/p&gt;&lt;br&gt;&lt;strong&gt;Showdate(s) &lt;/strong&gt; Feb 05 - Feb 11</description>
      <link>http://nwfilmforum.org/live/page/calendar/1177</link>
      <pubDate>Tue, 24 Nov 2009 14:04:57 -0800</pubDate>
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      <title>When It Was Blue</title>
      <description>&lt;img src='/images/uploaded_images/0000/4121/whenitwasblue_gallery.jpg'&gt;&lt;br&gt;&lt;p&gt;&lt;span&gt;Jennifer Reeves&amp;rsquo;s epic, years-in-the-making&amp;nbsp;&lt;i&gt;When It Was Blue&lt;/i&gt;&amp;nbsp;presents an experience of a world that is both visceral and fleeting. Photographed in 16mm over many years in various waters and terrains, an elaborate montage connects diverse ecosystems spanning from the northeastern USA, to Iceland, Canada&amp;rsquo;s Pacific coast, New Zealand and Central America. Reeves hand-painted the 16mm film, creating impressionistic textures and colors that mimic the qualities of land, water and trees, and fuse with the photographic imagery. A frenetic, delighted and mournful visual journey ensues through decades and seasons, as if trying to &amp;ldquo;capture&amp;rdquo; as much of the natural world as possible before it disappears. Icelandic musician and composer Sk&amp;uacute;li Sverrisson&amp;rsquo;s emotive and haunting score brings the internal human experience to this vast world away from home.&lt;/span&gt;&lt;br /&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;!-- AddThis Button BEGIN --&gt; &lt;a href="http://www.addthis.com/bookmark.php?v=250&amp;amp;pub=nwfilmforum" class="addthis_button"&gt;&lt;img width="125" height="16" src="http://s7.addthis.com/static/btn/v2/lg-share-en.gif" style="border: 0pt none ;" alt="Bookmark and Share" /&gt;&lt;/a&gt;&lt;script type="text/javascript" src="http://s7.addthis.com/js/250/addthis_widget.js#pub=nwfilmforum"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt;&lt;/p&gt;&lt;br&gt;&lt;strong&gt;Showdate(s) &lt;/strong&gt; Feb 10</description>
      <link>http://nwfilmforum.org/live/page/calendar/1141</link>
      <pubDate>Tue, 03 Nov 2009 14:40:14 -0800</pubDate>
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      <title>Cris Cheek Live</title>
      <description>&lt;img src='/images/uploaded_images/0000/4381/DSC09301_gallery.jpg'&gt;&lt;br&gt;&lt;p&gt;Cris Cheek is a sound artist, poet, photographer, mixed-media   practitioner and interdisciplinary performer.  He will perform an   evening of  &amp;ldquo;live writing&amp;rdquo; or &amp;ldquo;performance writing&amp;rdquo; works for sound,   text and video.  Cheek writes that he &amp;ldquo;projects video about writing   and gets in the way of his projections, tries to read the writing,   toys with and enacts ideas of trying to read what we might be seeing   and changes what is seen by doing so.&amp;rdquo;  His work, indebted to the   history of sound poetry, is highly improvisational and ephemeral.&lt;/p&gt;
&lt;p&gt;One of   the works he will be presenting, the video-text-performance piece   &amp;ldquo;monday morning quarterbacking &amp;lsquo;on&amp;rsquo; and &amp;lsquo;off&amp;rsquo; gods commons,&amp;rdquo; has   appeared on many &amp;ldquo;best-of&amp;rdquo; 2009 lists for experimental poetics. He will also be presenting other short videos, live sound pieces   and readings from his acclaimed new book &amp;ldquo;part: short life   housing&amp;rdquo; (The Gig, Toronto, 2009).&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
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&lt;p&gt;&lt;a href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=nwfilmforum" class="addthis_button"&gt;&lt;img width="125" height="16" style="border: 0pt none ;" alt="Bookmark and Share" src="http://s7.addthis.com/static/btn/v2/lg-share-en.gif" /&gt;&lt;/a&gt;&lt;script type="text/javascript" src="http://s7.addthis.com/js/250/addthis_widget.js#username=nwfilmforum"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt;&lt;/p&gt;&lt;br&gt;&lt;strong&gt;Showdate(s) &lt;/strong&gt; Feb 11</description>
      <link>http://nwfilmforum.org/live/page/calendar/1214</link>
      <pubDate>Mon, 18 Jan 2010 14:40:55 -0800</pubDate>
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      <title>The Red Shoes</title>
      <description>&lt;img src='/images/uploaded_images/0000/4126/Red_Shoes_gallery.jpg'&gt;&lt;br&gt;&lt;p&gt;&lt;span&gt;A Technicolor classic based on Hans Christian Andersen's tale of magic ballet slippers whose wearer cannot stop dancing, &lt;i&gt;The Red Shoes&lt;/i&gt;&lt;/span&gt;&lt;span&gt; tracks a ballerina's rise to the lead role in a ballet version of the well-known story. As Powell noted of the film's role in a post&amp;ndash;World War II free world, &amp;quot;For 10 years we had all been told to go out and die for freedom and democracy; but now the war was over, &lt;i&gt;The Red Shoes&lt;/i&gt;&lt;/span&gt;&lt;span&gt; told us to go out and die for art.&amp;quot; A landmark in film style and themes, &lt;i&gt;The Red Shoes&lt;/i&gt;&lt;/span&gt;&lt;span&gt; has become a touchstone to cineastes, lovers of dance and filmmakers ranging from Vincente Minnelli to Martin Scorsese. Its astounding production design, music and choreography, and its shockingly sumptuous color palette and revolutionary treatment of dance on film now may be rediscovered and savored anew. This new 35mm print debuted at the 2009 Cannes Film Festival.&lt;/span&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Appriopriate for ages 10 and up.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://seattletimes.nwsource.com/html/movies/2010974635_redshoes07.html"&gt;Read more from the Seattle Times&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Tickets are $6/Film Forum and SAM members, $6.50/children under 12 and seniors, $9/general&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
Northwest Film Forum is proud to co-present a special screening of Michael Powell's &lt;em&gt;The Red Shoes&lt;/em&gt; at Seattle Art Museum on February 10 with the legendary editor &lt;strong&gt;Thelma Schoonmaker in attendance&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Martin Scorses&amp;rsquo;s triple Oscar-winning editor, and wife of the legendary director, Michael Powell, Thelma Schoonmaker (&lt;em&gt;Raging Bull, The Aviator, The Departed&lt;/em&gt;) will visit Seattle for the premiere of Scorsese&amp;rsquo;s Film Foundation&amp;rsquo;s restored print of Powell&amp;rsquo;s &lt;em&gt;The Red Shoes&lt;/em&gt;, the beloved masterpiece of a ballerina&amp;rsquo;s bewitched shoes. Schoonmaker will also show Powell&amp;rsquo;s beguiling &lt;em&gt;I Know Where I&amp;rsquo;m Going!&lt;/em&gt; on February 9. Schoonmaker will discuss Powell&amp;rsquo;s artistry at both screenings.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.seattleartmuseum.org/calendar/eventDetail.asp?eventID=18463&amp;amp;month=1&amp;amp;day=10&amp;amp;year=2010&amp;amp;sxID=&amp;amp;WHEN=&amp;amp;sxTitle="&gt;Click here for more information&lt;/a&gt;. Tickets for are $7/SAM and Film Forum members, $10/general. Box office: 206-654-3121, or boxoffice@seattleartmuseum.org&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Watch the trailer:&lt;/strong&gt;&lt;/p&gt;
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&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed width="425" height="344" src="http://www.youtube.com/v/tSgar55BfPw&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;!-- AddThis Button BEGIN --&gt; &lt;a class="addthis_button" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;pub=nwfilmforum"&gt;&lt;img width="125" height="16" alt="Bookmark and Share" style="border: 0pt none ;" src="http://s7.addthis.com/static/btn/v2/lg-share-en.gif" /&gt;&lt;/a&gt;&lt;script type="text/javascript" src="http://s7.addthis.com/js/250/addthis_widget.js#pub=nwfilmforum"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt;&lt;/p&gt;&lt;br&gt;&lt;strong&gt;Showdate(s) &lt;/strong&gt; Feb 12 - Feb 18</description>
      <link>http://nwfilmforum.org/live/page/calendar/1143</link>
      <pubDate>Tue, 03 Nov 2009 14:50:10 -0800</pubDate>
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