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STUFF 2025: Dog Movie & Laughtrack
film
$15 General Admission
$10 Student/Child/Senior
$7 Member
$65 General Admission
$45 Student/Child/Senior
$30 Member
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.
The majority of seats in our main cinema are 21″ wide from armrest to armrest; some seats are 19″ wide. We are working on creating the option of removable armrests!
We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at rajah@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.
Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.
NWFF patrons will be required to wear masks that cover both nose and mouth while attending STUFF. Disposable masks are available at the door for those who need them. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.
Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.
(103 min TRT)
(Yasi Rehana Durant, United States, 18:47)
When Melly accidentally orders a personal item to their parents’ address, they are sent on a journey of self-discovery which is hijacked when an unknown number calls them, saying they’ve been buried alive.
(Constanze Brodbeck, United States, 5:10)
The filmmaker examines her relationship to God, community, and embodiment through a series of phone diaries and song.
(Evan Bode, United States, 9:59)
Trapped in their frames and monitored by a menacing curator, two paintings are willing to overturn the status quo to create a world where they can be together.
(Finnley Tinker, United States, 2:13)
A man casts his fishing rod out to sea, unexpectedly creating a link between his past and present.
(J Triangular, Colombia & Taiwan, 8:27)
In a dystopian future, exiled Kung Fu master Big Sister 13 leads a gang of trans and queer fighters to reclaim a forgotten zone and transform it into the Martial Forest—a secret training ground where they can prepare to fight and build a future rooted in resistance and chosen family. Content Warning: Some moments of flashing, photosensitivity.
(Avian de Keizer, United States, 3:01)
An experimental short about trans love and navigating the medical system shot on Super 8 from Olympia filmmaker Avian de Keizer. The film was literally bathed in testosterone gel and rubbed in a combination of gel, lotion, and skin cells belonging to the filmmaker and their partner.
(Raymond (Ray) Rea, United States, 8:27)
An experimental non-fiction short, shot completely on 16mm, analyzing the commonalities between medical augmentation and transgender alignment. We are frightening because we’re the future.
(Jose Luis Benavides, United Staes, 10:00)
A video portrait of the trans-Palestinian-American artist, Ali El-Chaer. Offering an intimate look at their artwork, it shares their experiences and art-making process related to land, body, and the ongoing genocide in Gaza.
(Tobi Springer, Netherlands, 4:49)
A melancholic stop-motion animated film, wherein two characters try to navigate the liminal nature of the time that comes after a suicide attempt.
(Judebird, United States, 23:29)
Composed of iPhone footage, 16mm painted film, microscopy, archival footage, original music and poetry, this diary short film meditates on finding faith in love and birds. Content Warning: Some moments of flashing, photosensitivity.
(Carter Amelia Davis, United States, 9:07)
A woman embarks on a road trip to deliver homemade Gatorade to a mysterious online buyer in this short that’s much weirder than whatever you’re imagining.
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