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STUFF 2025: Dog Movie & Laughtrack
film
$15 General Admission
$10 Student/Child/Senior
$7 Member
$65 General Admission
$45 Student/Child/Senior
$30 Member
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.
The majority of seats in our main cinema are 21″ wide from armrest to armrest; some seats are 19″ wide. We are working on creating the option of removable armrests!
We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at rajah@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.
Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.
NWFF patrons will be required to wear masks that cover both nose and mouth while attending STUFF. Disposable masks are available at the door for those who need them. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.
Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.
(88 min TRT)
(Bruny Derotzi, Brazil, 11:39)
A documentary created by one of the founders of the house of Casixtranha that takes the audience into the world of Ballroom culture in Brazil, sharing footage from performances and personal stories from those who are part of this scene.
(Aubrey Pandori, United States, 12:39)
A 29-year-old trans musician and a 79-year-old lesbian archivist share stories of self-discovery, chosen family, and community building in the Bay Area.
(Len Sanqui, United States, 5:05)
A short documentary about trans Asian elder, activist, and artist Zhi Kai Vanderford, who has been incarcerated for 37 years.
(Theo Rose, United States, 11:57)
A thriller where a woman meets her shadow at a local coffee shop. Through poetry, presence, and subtle exposition, the film forgoes conventional narrative structure in favor of circling around its thesis: What can you know about a person?
(Athena Jey, United States, 6:48)
This experimental short film is an adaptation of a diary entry belonging to a transgender woman named Valeria, wherein she deals with personal and existential anxieties about her body.
(Ren Caldwell, United States, 15:02)
An artist who hangs posters promoting their work on street poles in Capitol Hill becomes fascinated by a dancer who posts QR codes linking to their work in this slow-burn romance.
(Stevie Vickery, Australia , 6:18)
A lush music video from Melbourne-based South Asian musician Naavikaran about racist white people and the stupid shit they say to her.
(Mari Penteado, Eduardo Campos, Brazil, 18:56)
This short follows Virginia, a 43-year-old transgender woman who works as a community health agent in Guarulhos, Brazil, as she experiences the warmth of community and resilience in the face of an exhausting exterior world.
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