Moving History – The Queercrow Archive vol. 4

Sun Jun 14:

Still from Jeremy Marre’s Ladyboys documentary for Channel 4 (1992, VHS, Water Bearer Films)

 

This public event is free with RSVP!

This installment of MIPoPS Queercrow Archives series has been made possible by Humanities Washington’s Washington Stories Fund and 4Culture’s Doors Open Sustained Support. Attendance for this event is free thanks to a Public Free Access grant from 4Culture.

Various Directors
US
1h 30m
Series - Moving History

Visiting Artist

** Special guests in attendance! **

About

Please join us for the 4th annual installment of the Queercrow Archive presented by Scarecrow Video and MIPoPS!

Among Scarecrow Video’s vast physical media archive, one will find shelves loaded with VHS-only treasures: analog releases of feature films, instructional videos, DIY presentations, and all manner of cultural ephemera that never made the leap to digital formats. With the archivists at Moving Image Preservation of Puget Sound, Scarecrow has been working to digitize these releases and preserve these irreplaceable objects of our cultural heritage.

When MIPoPS received its first boxes of videotapes from Scarecrow to digitize, they were loaded with rare artifacts of our queer history, including decades of Seattle-specific memories: 30-year-old footage of Neighbors, R Place, and clubs of days long past; lesbian buddy-detective films that look suspiciously like they were shot in the offices of The Stranger; interviews with attendees of an International Association of Gay and Lesbian Square Dance Clubs convention; and so much more.

Seattle’s queer roots run deep, and in its 38 years, Scarecrow has absorbed a share of that history. Come prepared to be enchanted and enlightened as we dive into this newly digitized treasure trove and present some highlights of queer culture from Seattle and around the globe.

 

Filmmaker Spotlight: Ingrid Wilhite

Ingrid Wilhite (May 4, 1959 – January 15, 2008) was a noted San Francisco Bay Area television and film editor and independent filmmaker. Wilhite produced, wrote, and directed often campy and political shorts that screened and won awards at numerous LGBT film festivals in the U.S. and abroad. In her book Gender Outlaw: On Men, Women and the Rest of Us, author Kate Bornstein describes Wilhite’s shorts Mister Sisters and Fun with a Sausage as “stretch[ing] the limits of lesbian identity and nicely blur[ing] the lines of sexual identity and orientation.” A collection of her work is held at UCLA Film & Television Archive as part of the Outfest UCLA Legacy Project for LGBTQ Moving Image Preservation. Two shorts from Wilhite’s compilation VHS, Lesbovision, are included in this program.

Lesbian Impress Card (1990) — This spoof ad offers comic commentary on butch/femme roles and consumer culture. A lesbian woman’s non-existent social life is radically altered when she receives “the Lesbian Impress card” in the mail. With it, she purchases a new leather wardrobe, gets a trendy hairstyle and so transformed, becomes a sought-after celebrity. The Lesbian Impress Card – “The chicks won’t notice you without it. Directed and produced by Ingrid Wilhite and Sue Bahns.

L’Ingenue (1985) — Wilhite stars as a virgin lesbian in search of her first sexual experience. Directed and produced by Ingrid Wilhite.

Q&A

Please join us after the screening for a brief Q&A session that includes friends and colleagues of the late Ingrid Wilhite. We’ll be hosting a conversation about Ingrid’s work, independent queer filmmaking, and the preservation of LGBTQIA+ history.

This installment of The Queercrow Archive series has been made possible by grants from Human ities Washington’s Washington Stories Fund and 4Culture’s Doors Open Sustained Support. Attendance for this event is free thanks to a Public Free Access grant from 4Culture.

Click for Accessibility Info

Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.

The majority of seats in our main cinema are 21″ wide from armrest to armrest; some seats are 19″ wide. We are working on creating the option of removable armrests!

We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.

The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!

If you have additional specific questions about accessibility at our venue, please contact Cole Wilder at cole@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.

Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.

⚠️ COVID-19 Policies ⚠️

NWFF patrons will be strongly encouraged to wear masks that cover both nose and mouth while in the building. Disposable masks are available at the door for those who need them. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.

Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.

Refund & Late Policy

Northwest Film Forum reserves the right to release tickets to anyone on standby if there are open seats 5 minutes after a sold out show’s scheduled start time. If you arrive and your seat has been given away, we will happily refund your ticket.

If you’re not feeling a particular movie you’re already watching, we will refund a ticket if you ask within the first 30 minutes of a film.

If you are unable to make it to a screening (sickness, forgot to come, dog ate your homework, etc.) please email rajah (at) nwfilmforum (dot) org to get a refund.



About Moving Image Preservation of Puget Sound (MIPoPS)

MIPoPS is a nonprofit whose mission is to assist archives, libraries, and other organizations with the conversion of analog video recordings to digital formats according to archival best practices. Since 2016, NWFF has graciously hosted Moving History, a quarterly archival screening night presented by MIPoPS. Ever wonder what kind of video treasures were sequestered in the depths of places like MOHAI, the Wing Luke Museum, or Seattle Art Museum? MIPoPS (pronounced mee-pops) works with your favorite local libraries, museums, and archives to digitize the video treasures hidden in their collections. They’ve got U-matics, Betacam, DVCAM, LaserDiscs, VHS tapes, and more – and MIPoPS has the equipment and know-how to bring those old formats back to life. These screenings are great opportunities to see video that you won’t find anywhere else. Q&As with representatives from partnering organizations after each screening make every Moving History night a learning opportunity. If you’re interested in archives, museums, moving images, history, or art – these screenings will check all of your boxes!

Find out more about MIPoPS at mipops.org
Watch past screenings on their YouTube Channel
Browse hundreds of videos they’ve digitized on their Internet Archive collection

Connect with MIPoPS on social media:
Facebook & Instagram @mipopsseattle

About Scarecrow Video

Scarecrow Video, located in Seattle’s University District, is a nonprofit cultural museum and the world’s largest publicly-accessible physical media library. The archive’s growing collection of over 155,000 film and television titles spans more than 129 years of cultural history and showcases films from 138 countries and in 126 languages, many of which are completely unavailable on streaming services or anywhere else. The physical  library offers an essential alternative to an increasingly digital-only world by encouraging cinematic curiosity beyond algorithms, providing unrestricted access and building tangible community through public screenings and engaging programming. Scarecrow serves as a critical caretaker of our shared cultural history and is committed to being an affordable, authentic resource for accessing and understanding a diverse range of lived experiences through the largest physical collection of works made by BIPOC, LGBTQIA+, women and international filmmakers. 

Browse our entire library online at scarecrowvideo.org or connect with us on Instagram or TikTok to stay up-to-date on the latest Scarecrow news!


A modern browser is required to view this site.

Please update your browser.

Northwest Film Forum
1515 12th Ave,

Seattle, WA 98122

206 329 2629


Notify me when new films, events, and workshops are coming up!