To Sleep with Anger [In-Person Only]
$14 General Admission
$10 Student/Child/Senior
$7 NWFF Member
Discussion
** Local cinéaste, thinker of thoughts, writer of words, and To Sleep with Anger superfan Charles Mudede will be in attendance on Feb. 8 to introduce the screening and discuss it afterwards! (Happy birthday, Charles 🎂) **
About
(Charles Burnett, US, 1990, 101 min, in English)
Charles Burnett’s beautiful, poetic masterpiece is novelistic in its narrative density and richness of characterization. Harry Mention, an enigmatic drifter from the South, comes to visit an old acquaintance named Gideon, who now lives in South-Central Los Angeles. Harry’s charming, down-home manner hides a malicious penchant for stirring up trouble, and he exerts a strange and powerful effect on Gideon and his thoroughly assimilated black, middle-class family. The household was already rife with conflict when the devilish guest arrived, and Harry’s grab-bag of folktales, lucky charms and foul magic only deepens the family rift. Sickness and insanity gradually descend upon Gideon’s home, and it soon becomes evident that something will have to give.
“There’s no Moonlight without Charles Burnett. …the auteur behind To Sleep With Anger, arguably the best performance of Danny Glover’s career.” – Soraya Nadia McDonald, The Undefeated
“One of the finest films to explore city versus country, old ways versus new, kin versus kin.” – Melissa Anderson, Village Voice
“Burnett and his cast tap depths of mystery, soulfulness, and glee.” – Michael Sragow, New Yorker
“The greatest American film.” – Christopher Day, Managing Director
Copyright Notice, all photos on this page: © 1990 SVS, Inc. All Rights Reserved.
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.
The majority of seats in our main cinema are 21″ wide from armrest to armrest; some seats are 19″ wide. We are working on creating the option of removable armrests!
We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at maria@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.
Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.
NWFF patrons will be required to wear masks that cover both nose and mouth while in the building. Disposable masks are available at the door for those who need them. We are not currently checking vaccination cards. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.
Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.
About Charles Mudede
Charles Tonderai Mudede is a Zimbabwean-born cultural critic, urbanist, filmmaker, college lecturer, and writer. He is the Senior Staff writer of the Stranger, a lecturer at Cornish College, and has collaborated with the director Robinson Devor on three films, two of which Police Beat and Zoo, premiered at Sundance, and one of which, Zoo, screened at Cannes. Mudede, whose essays regularly appear in e-Flux, C-theory, and Tank Magazine, is also the director of Thin Skin.