Thu Apr 16
7.30pm
7.30pm
Cadence 2020 – Pivot Turn: Video Poetry Showcase [Online]
film
Sliding scale admission: $0–25
Please pay what you can; proceeds support our move to a virtual platform!
Each showcase will be available to view for 24 hrs from the listed showtime (PDT).
Direct and unobstructed, the video poetry in this screening opens lines of sight into narratives, communities, and hidden histories through overlooked voices and untold stories. Video poetry provides a space outside of academia and canon where diverse poetic disciplines engage in unpacking individual histories excluded due to race, ethnicity, or class; explorations of coded language for protection, secrecy, or both; the illumination of invisible or covert systems of labor, exploitation, and capitalist control; and translation through surreal, oblique, or fantastical frameworks.
The Henry Art Gallery and Northwest Film Forum co-present the In Plain Sight Film Series [Online] on the occasion of the Henry’s exhibition, In Plain Sight. This series invites engagement with hidden histories and contexts unearthed with the aid of moving image media. Programs explore the myriad shades of nuance in disciplinary synthesis and delight in the discovery of new relationships between poetry, artifactology, and cinema.
Cadence: Video Poetry Festival, presented by Northwest Film Forum, programmed in collaboration with Seattle author Chelsea Werner-Jatzke and artist Rana San, is a series of screenings, workshops, and discussions on the genre of video poetry, throughout National Poetry Month. Cadence fosters critical and creative growth around the medium of video poetry, approaching it as a literary genre presented as visual media.
Image Credit: Black Paint by Hanan Hassan
(Matthieu Maunier-Rossi & Ronan Cheneau, France, 2015, 7 min)
Aïpeur Foundou is a congolese dancer and choreographer. Amidst some popular areas of Brazzaville, he shows us one possible way to freedom.
(Aindri C & Mark Fiddes, UK, 2020, 3 min)
This animation poem is about our attitude towards climate change–should we let nature take it’s course or should we intervene? A large part of the animation is made from monoprints of non-biodegradable rubbish–bubble wrap, straws, polythene bags etc. These materials are also reflected in the soundscape.
(Omar Farah, Canada, 2019, 4 min)
(Alexis McCrimmon, US, 2020, 5 min)
Structured as an emotional travelogue, a young woman charts through her memories of interiors.
(Diego Bonilla & Rodolfo Mata, Mexico, 2019, 4 min)
(Simon Daniels & Felicia Olusanya, Ireland, 2 min)
The 3 Me’s is about the discovery of selves, the stumbling upon, the interaction of the selves and thus their acceptance and assigned roles. It is about knowing I am not just the physical phenomenon visible; I am a galaxy of a being.
(Shai Alexandroni, Israel, 2019, 9 min)
A poetry film portraying the youth of the famous Israeli poetess Hava Pinhas-Cohen.
(Masahiro Sugano & Avery R. Young, Tacoma, WA, 2019, 6 min)
(Stephanie Gray, US, 2017, 10 min)
(Ariel Casimiro & Jaliya The Bird, Angola, 2019, 4 min)
A spoken word video by Angolan poet Jaliya The Bird performing the piece called Idle Worship.
(Ananya Garg, Seattle, WA, 2020, 5 min)
Ananya’s joy of eating a mango for the first time since childhood quickly transforms as she is immersed in her visceral, grotesque, and traumatic past.
Venmo: @Ananyagarg / @Victoria-Naylor
(Kamari Bright, Seattle, WA, 2018, 3 min)
An animated video poem dissecting the detriments of respectability politics.
(Hanan Hassan, Seattle, 2019, 1 min)
Black Paint is a visual representation of emotional suppression and its implications. Written, directed and performed by Hanan Hassan. Filmed and edited by Kamyar Mohsenin.
(Daryl Paris Bright & Anatola Pabst, US, 2019, 2 min)
(Linnéa Haviland, UK, 2019, 2 min)
Voices in a crowd stir violent emotions, microaggressions bring up past traumas. Then a turning shifts the emotional landscape…
PayPal: hi@linneahaviland.com
(Rachel S Myers & Giovanni Adams, US, 2019, 5 min)
Giovanni Adams’ poetry on his black queer journey from boyhood to manhood, isolation to intimacy, roots the narrative of this film that combines spoken word, dance and song.
Venmo: @Rachel-Myers-28
The Henry Art Gallery and Northwest Film Forum co-present the In Plain Sight Film Series [Online] on the occasion of In Plain Sight, a museum-wide group exhibition that highlights narratives, communities, and histories typically hidden in our public space imagining new possibilities for the future.
Coinciding with the Henry’s exhibition, the Forum’s film series invites engagement with hidden histories and contexts unearthed with the aid of moving image media. Programs explore the myriad shades of nuance in disciplinary synthesis and delight in the discovery of new relationships between poetry, artifactology, and cinema.
Presented in partnership with ByDesign Festival, Cadence: Video Poetry Festival, and the UW Bothell Black Cinema Collective. Learn more about Henry membership and NWFF membership and support the arts during this challenging time!
Cadence, the only festival dedicated to video poetry in the PNW, fosters critical and creative growth around its genre. This year we will host five online showcases of short video poetry works by 83 artists from 20 different countries, selected from an open call for submissions and solicitations. In 2020, Cadence is moving online for the first time, in response to Washington State’s Stay Home, Stay Safe mandate. All programs priced on a sliding scale.
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