Cadence Video Poetry Festival 2025 [Hybrid]
About
** PASS SALES LIVE MAR. 2025 **
ALL CADENCE 2025 FESTIVAL PASSES GRANT ACCESS TO BOTH VIRTUAL AND IN-PERSON VIEWING
- $40 NWFF Members
- $55 – 70 – 85 General (priced on a sliding scale)
Purchase your pass on Eventive; if you visit in person, NWFF staff can look up your pass at Will Call.
Please note: Different prices in the sliding scale do not indicate different access, or access to different films. Simply pay what you can to support our work!
*** NWFF offers a limited number of FREE festival passes for BIPOC, LGBTQ+, disabled, and/or low-income patrons who would not be able to attend due to financial reasons. Reserve your pass (by April 15, please!) here > ***
Cadence Video Poetry Festival, co-directed by Chelsea Werner-Jatzke and Rana San, is a series of screenings, workshops, and discussions on the genre of video poetry during National Poetry Month.
Cadence approaches video poetry as a literary genre presented as visual media that makes new meaning from the combination of text and moving image. Featuring screenings, an artist residency, generative workshops for youth and adults, artist gatherings, and a virtual poetry book fair, Cadence fosters critical and creative growth around the medium of video poetry.
7th Annual Cadence Video Poetry Festival
Apr. 25–27 [In-Person]
Apr. 25 – May 4 [Online]
2025 Festival Program coming in March!
• Short film programs at NWFF • Satellite short film programs • Live, collaborative workshops • Literary resources • Artist + Audience Gatherings •
Meet the Artists-in-Residence!
Argot Chen
Argot Chen (b. 1994) is a Taiwanese-American new media artist and hybrid writer who surfaces political critiques through unexpected mediums. Their work has been exhibited internationally, most recently at CtrlZ.AI in Barcelona and University of the Arts London. They have been awarded grants from the Sussman Foundation and the Frank-Ratchye STUDIO for Creative Inquiry, and named a finalist for Eyebeam Rapid Response Grant and the Periplus Fellowship. They studied painting at Princeton University.
Jen Moore
Jennifer Moore (The Well Of Sound/DJ Freequeensee) is a multi-disciplinary artist born and raised in the Northwest. I sense no difference between art and existence. In this way I am an artist, as I believe we all are. I create as a practice of freedom. I translate life into sound, image and movement, to affect and accept its direction, path, and quality. In pursuit of inner vision and my own feeling tone of love, I work daily to allow creation and possibility to flow through me. I find sway and fluidity in the interplay between medium, with a focus in poetry, music composition, production, and sonic meditation. I practice liberation through process, and believe sharing to be an integral part of growth and healing. Love as modality is necessary. Love is all there is, so long as we have the courage to give and receive.
Meet the Team!
Rose Ansari
Screening Team
Rose Ansari (she/her) is an Iranian multidisciplinary artist and creative technologist. She attended Alzahra University of Tehran for her Bachelor of Fine Arts. Currently, she is a Master of Fine Arts student in Art & Technology / Sound Practices at the School of the Art Institute of Chicago, USA.
Rose’s current research-based art exploration delves into Cyborg and post-human theories, distortion, and telecommunication through sensory experience in laboratory processes. Fueled by a fascination with unreal fantasy and immersive environments, she is inspired by sci-fi and futuristic concepts, biology, and machines. She integrates technology and cognitive sciences with poetry to unravel the complexities of the human unconscious and emotions. Her projects have been shown nationally and internationally.
Livia Glascock
Screening Team
Livia Glascock is a digital artist that enjoys experimenting with video, sculpture, poetry, and sound. She looks to explore ideas such as collective memory, biological remembrance, and generational trauma through animation and collage. She hopes that her art evokes emotions that remind us of moments where we feel our humanity deep in our bones.
Gloria Regonesi
Screening Team
Gloria Regonesi is a filmmaker and educator active across Italy, Germany, and the UK. Her work spans documentary and experimental film, frequently focusing on the emotional resonance of spaces and the socio-cultural implications thereof. A dedicated advocate for sustainable documentary filmmaking, she promotes ethical practices that ensure equitable treatment for both workers and subjects. She also employs filmmaking as a research tool, particularly within the field of architecture, where she both practices and teaches its methodological applications.
Ariana Simpson
Screening Team
Ariana Simpson is an experimental interdisciplinary poet and writer, traversing poetry and the intersectional through a convergence of visual and audio forms that has both fragmented and stretched her out in galvanizing ways. Her curiosity has recently expanded into video poetry, namely in 2023 when she reimagined her poem, “My Home Is (⠍⠽⠀⠓⠕⠍⠑⠀⠊⠎)”, initially published in Burrow Press’ online journal BP Review, for Cadence Video Poetry Festival, becoming the recipient of the Video by Poets Award for her film. She has been published in various zines and lit journals and her film work has been showcased in Indie Film Bazaar, the “Across Landscape and Language” program at Frye Art Museum, and received an Honorable Mention from Midwest Poetry Festival after creating a new film through her artist-in-residency with Cadence in 2024.
Rana San
Rana San is an intermedia artist, curator, and community builder pondering hyper visibility, bodily autonomy, and immigrant liminality. Her creative and curatorial practice centers experimental and analog approaches to storytelling through film, writing, and movement presented on screen and stage. Based between Seattle and Istanbul, she co-directs Cadence Video Poetry Festival and is a co-curator of Good Symptom: A Serial Anthology of Time-Based Disturbances. Rana has recently presented work at Engauge Experimental Film Festival (WA), Experiments in Cinema (NM), and Helios Sun Poetry Film Festival (MX).
Chelsea Werner-Jatzke
Chelsea Werner-Jatzke is an author, filmmaker, and curator exploring the liminal spaces of the literary arts. Her interest in how words are experienced has resulted in gallery installations, classical music performances, broadsides, karaoke, and video poetry. She is co-director of Cadence Video Poetry Festival, co-curator of Good Symptom: A Serial Anthology of Time-Based Disturbances (The 3rd Thing), and a community board member for the Seattle City of Literature. Chelsea was recently published in Tri-Quarterly and featured in Local Sightings Film Festival (WA), Aorta Poetry Film Festival (NZ), and Festival Fotogenia (MX).
Submit your video poem
Submissions are open for Cadence 2025. Read full submission guidelines and submit your film using the button below.
Cadence accepts works that fit within the following categories:
- Video Poetry: Visual media that makes new meaning from the combination of text and moving image. We welcome: Collaborations between video artists and writers; video by poets creating video from, or as, their writing; video artists creating poetic meaning through visual or aural text; and beyond. Any poems used for adaptations of pre-existing poetry must be in the public domain or else used with written consent of the author.
- Wild Card: Video work that’s poetically informed or poetry that’s visually informed that doesn’t neatly fit into the video poetry category.
Read about past editions of the festival at the foot of this page.
Artist Residency
The Cadence Artist-in-Residence program provides resources and tools for the development of a new video poem to screen at the festival.
Applications are open through Dec. 15, 2024.
ABOUT
Northwest Film Forum selects 1–2 artists or artist teams of two to develop a new video poem for inclusion in Cadence Video Poetry Festival each year. The selected artist(s) may have access to NWFF’s film equipment and edit lab, as well as an opportunity to receive training and support to develop or supplement their poetry, filmmaking, and/or editing skills. The Artist-in-Residence will be asked to participate in a post-screening conversation with festival co-directors and other participating artists.
BACKGROUND
The Artist Residency launched in 2019 as part of the festival’s commitment to fostering the generation of new video poetry.
2024: Livia Glascock & Ariana Simpson
2023: jade wong
2022: Kamari Bright & Hannah Villanueva
2020–2021: Natachi Mez
2019: Catherine Bresner
ELIGIBILITY
Artists or artist teams of two residing in Seattle, 18 years of age or older.
APPLICATION DEADLINE
Applications will be reviewed on a rolling basis. Final deadline for consideration is 11:59pm PT on the due date.
SELECTION CRITERIA
The Artist-in-Residence will be selected on the basis of their distinct vision and voice, as demonstrated in work samples, and their commitment to developing new work within the medium of video poetry.
TIMELINE
The Artist-in-Residence must meet the following deadlines and produce a finished work for one of the festival screening dates. Workshop participation, edit lab, and gear use are optional and dependent on availability.
Dec. 15, 2024 – deadline for application
Mid-Jan 2025 – all applicants notified of decision
Late-Jan. – Mid-Apr. 2025 – residency meetings supporting development of new work
Apr. 25–27, 2025 – single screening of final video poem within one in-person showcase of Cadence Video Poetry Festival
Apr. 25 – May 4, 2025 – on demand screening of final video poem within one online showcase of Cadence Video Poetry Festival
CONTACT
Please direct questions to cadencevideopoetry@gmail.com.
Image credit: refrigerator hum by jade wong
Submit your poetry book
Cadence hosts a virtual Poetry Book Fair as a literary resource to share the work of artists the festival has featured and worked with over the years. If you are a current or former Cadence participant, we’d love to include your book in the lineup!
Eligible artists submit here >