Ismo, Ismo, Ismo – Umbrales: Experimental Women Filmmakers from Latin America [Online]

Thu Apr 09: 6.00pm – Sat Apr 11: 11.59pm PDT

Sliding scale admission: $0–25

Please pay what you can; proceeds support our move to a virtual platform!

Showtime listed is Pacific Daylight Time.

 


 

Northwest Film Forum is SCREENING ONLINE! NWFF’s physical space is temporarily closed in light of public health concerns around COVID-19, but community, dialogue, and education through media arts WILL persist.

• • HOW TO WATCH • •

  • Purchase a ticket through Brown Paper Tickets.
  • Your email receipt from Brown Paper Tickets will contain a link and password for viewing, under “Ticket Details”. (Don’t see it? Check your spam filter.) The password will expire at midnight PST on the last date of the screening.
  • If you encounter any issues logging in, please contact louie@nwfilmforum.org for a quick follow-up. (But please, check your confirmation email!)

Discussion

** LA Filmforum friends will be joined by Cecilia Vicuña, Ximena Cuevas and others for a Zoom Q&A at 2pm PDT on Saturday. We will send registrants a link to join the Zoom at noon on Saturday! **

About

** Co-presented with Interbay Cinema Society! **

This program showcases female filmmakers who sought to carve out a place within the male- dominated world of Latin American independent audiovisual production. Key works, such as Argentine filmmaker Narcisa Hirsch’s Come Out (1971), exemplify the defiant position toward gendered and essentializing aesthetics expected of Latin American women filmmakers. This program includes pioneering Uruguayan filmmaker Lydia García Millán’s Color (1955), one of the first abstract experimental films from Latin America; the politically charged Super 8 experiments by Puerto Rican underground artist Poli Marichal; and a recent video essay by Mexican artist Ximena Cuevas.

  • Come Out (Narcisa Hirsch, Argentina, 1971, 11 min)
  • Color (Lydia Garcia, Uruguay, 1955, 4 min)
  • Desnudo con alcatraces (Silvia Gruner, Mexico, 1986, 2 min, silent, b&w)
  • Popsicles (Gloria Camiruaga, Chile/US, 1982-1984, 5 min, Spanish w/ English subtitles)
  • Umbrales (Marie Louise Alemann, Argentina, 1967, 19 min)
  • Paracas (Cecilia Vicuña, Chile/US, 1983, 19 min, Spanish w/ English subtitles)
  • Devil in the Flesh (Ximena Cuevas, Mexico, 2003, 5 min, Spanish w/ English subtitles)
  • Copacabana (Vivian Ostrovsky, Brazil, 1983, 10 min)
  • Blues Tropical (Poli Marichal, Puerto Rico, 1982, 4 min)

Ism, Ism, Ism: Experimental Cinema in Latin America (Ismo, Ismo, Ismo: Cine experimental en América Latina)

Ism Ism Ism: Experimental Cinema in Latin America is a research project and film series conceived by Los Angeles Filmforum as part of the Pacific Standard Time: LA/LA initiative.

Ism, Ism, Ism is the first comprehensive, U.S.-based film program and publication to treat the full breadth of Latin America’s vibrant experimental film production. The screenings feature key historical and contemporary works from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. Revisiting classic names and forms from the experimental canon, the film series daringly places them within a completely novel scope and breadth. The film series takes both the aficionado and open-minded viewer through a journey into a wealth of materials culled from the forgotten corners of Latin American film archives integrated with recent production from across the continent.


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1515 12th Ave,

Seattle, WA 98122

206 329 2629


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