Jazz Meets Film: A 50 Year Collaboration

Sun Apr 19:

$18 General Admission
$12 NWFF Member

2007-2026
1h 30m

About

This live jazz trio performance and film projection program celebrates 50 years of the collaboration between local artists Caryn Cline, a filmmaker, and Dan Greenblatt, a jazz musician, real life partners and frequent collaborators.   Dan’s trio, including visiting bassist Ed Fuqua and local pianist John Hansen, will perform a number of tunes while some of Caryn’s films play on the screen.  Caryn often pairs her visuals with jazz soundtracks.  In addition to Dan’s tunes, her soundtracks have been composed by local legend Chuck Metcalf, Dan and Caryn’s son Tatum, New York bassist Alexis Cuadrado, cellist Lori Goldston, and others.  The compositions in this program will work with the films, sometimes replicating the soundtrack that exists with the piece, and sometimes replacing it with a tune drawn from the group’s extensive repertory in the jazz playbook. 

FILMS IN THIS PROGRAM:

Seattle Solstice 16mm print | color | 2:40 | 2008
Mapping a Seattle landscape as the season turns, this film is an optical print of original handmade frames. Featuring hydrangea, geranium, nandina, camillia, oregano, vinca, snapdragon, cyclamen, violet, linden, clematis, linaria, birch bark and daphne. Original soundtrack by Chuck Metcalf.

In the Conservatory 16mm print | color | 5:00 | 2010
On a gray winter day in Seattle, the Volunteer Park Conservatory offers a trip to a different climate: lush, wildly colorful, strange, and beautiful. “In the Conservatory” experimentally captures the essence of the place, through the use of direct animation, ambient sound, and music. Plants from the conservatory’s winter collection were gleaned and pasted onto clear, 16mm film leader, then re-photographed on an optical printer while they were still fresh, resulting in a surprising chance animation. The original soundtrack, a composition by Samuel Barber, was performed by Lucille Goeres and Eliza Garth.

Arachnophilia 16mm to digital | color | 3:20 | 2014
A 16mm camera roll filmed by Caryn in her front yard one day in autumn. The original soundtrack is the song “Stray Cat,” written and performed by Dan Greenblatt.

Lost Winds 16mm to digital | color | 3:00 | 2017
A site-specific botanicollage film from San Clemente, CA, containing both planned and “chance” animation. Original sound design by Caryn and Jon Behrens.

Butterfly Disaster 16mm to digital | color | 6:50 | 2019
“What looks like agricultural success, purging bean and corn fields of milkweed (among other weeds), turns out to be a butterfly disaster.” –Verlyn Klinkenborg. Inspired by Klinkenborg’s writing, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterfly’s dilemma. This piece will play with its original soundtrack by Caryn Cline and Andrés Montaña.

Tangled Up in Blue 16mm to digital | color | 8:10 | 2020
A collaborative film made after a cyanotype-on-16mm-film workshop taught by artist and filmmaker Kate Lain, sponsored by the Interbay Cinema Society and Northwest Film Forum. Featuring handmade film sequences created by Brenan Chambers, Brenda Burmeister, Caryn Cline, Chris Day, Cindy Stillwell, Devon Damonte, Eileen Roscina, Ellie Kozlowski, Jade Finlinson, Jen Proctor, Jonah Kozlowski, Panteha Abareshi, Paul Siple, Rana San, Ruth Hayes, and Ursula Brookbank. The original music, “All Blues,” performed by the Greenblatt Generations Band: Dan Greenblatt (sax), Tatum Greenblatt (trumpet), and Ed Fuqua (bass) will be replicated here.

Film Tattoo 16mm to digital | color | 3:15 | 2020
A handmade-in-quarantine botanicollage camera roll film: 16mm black emulsion leader, the length of my garden bed, was sprayed with water and scratched between two garden stones. The scratched frames were then filled with plants from my yard and re-photographed on an optical printer using 50D film at 3 frames to 1. Original soundtrack by Barcelona-born, New York-based bassist and composer Alexis Cuadrado.

Alstromeria 16mm to digital | color | 2:15 | created 2007, digitized 2024
My first “botanicollage” film, working with a bouquet of Alstromeria. Original soundtrack: Dan Greenblatt’s “Dolce.”

Phytodrama 16mm to digital | color | 4:40 | 2026
My most recent film. A phytography collaboration with Olympia-based animator and filmmaker Ruth Hayes that included shooting and then double exposing. We were drawn to non-native species around her home outside of Olympia, keeping in mind that while some people consider these plants “weeds,” and “invasives,” with all that those labels imply, these plants are considered medicinal by other groups.

About The Artists

Caryn Cline

Caryn Cline

Originally from the Missouri Ozarks, Caryn Cline has been making films for 30 years. In addition to creating moving image pieces, she teaches workshops in various experimental film techniques, directs the Interbay Cinema Society, and curates the Engauge Experimental Film Festival.

Dan Greenblatt

Dan Greenblatt

Saxophonist Dan Greenblatt has been involved with jazz since the 1960’s in a variety of roles: radio disc-jockey, performer, band-leader, educator, composer, record producer, conservatory program administrator, and author of two books.  Currently Dan works a regular weekend duo gig at the Charlotte Restaurant and Lounge in Seattle, and is in the midst of co-producing a recording with Caryn and Dan’s son, New York trumpeter Tatum Greenblatt, that will be released in August.

Ed Fuqua

Ed Fuqua

Bassist Ed Fuqua has performed with established jazz luminaries such as Dakota Staton, Frank Grant, Bernard Purdie, Junior Mance, and Eliot Zigmund as well as more contemporary artists like Leon Parker, Dave Bergman, Jacob Sacks, and Tatum Greenblatt. The shared history of playing and performing with Dan Greenblatt is decades long.  He is the author of the instructional book WALKING BASSICS, published by Chuck Sher.

John Hansen

John Hansen

John Hansen started his musical journey as a classical trumpet player, but found himself won over in his late teens by the jazz idiom and by the piano, and turned himself into one of the Northwest’s premier (“a first-call guy”) jazz pianists.  Thoughtful and flexible, John has performed and recorded with a remarkable range of top local artists (Jay Thomas Quartet, Jim Knapp Big Band, vocalist Ernestine Anderson, to name just a few) as well as many stars (including Randy Brecker, Ingrid Jensen, and the Woody Herman Orchestra) at the national level. 

Click for Accessibility Info

Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.

The majority of seats in our main cinema are 21″ wide from armrest to armrest; some seats are 19″ wide. We are working on creating the option of removable armrests!

We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.

The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!

If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at suji@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.

Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.

⚠️ COVID-19 Policies ⚠️

NWFF patrons are encouraged to wear masks that cover both nose and mouth while in the building. Disposable masks are available at the door for those who need them. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.

Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.

Refund & Late Policy

Northwest Film Forum reserves the right to release tickets to anyone on standby if there are open seats 5 minutes after a sold out show’s scheduled start time. If you arrive and your seat has been given away, we will happily refund your ticket.

If you’re not feeling a particular movie you’re already watching, we will refund a ticket if you ask within the first 30 minutes of a film.

If you are unable to make it to a screening (sickness, forgot to come, dog ate your homework, etc.) please email rajah (at) nwfilmforum (dot) org to get a refund.


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Northwest Film Forum
1515 12th Ave,

Seattle, WA 98122

206 329 2629


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