Sun Jan 30
2.15pm
2.15pm
Sundance Film Festival 2022: Every Day in Kaimukī [In-Person Only]
film
Sundance Film Festival 2022: Short Film Program [In-Person Only]
This event took place on Jan 30, 2022
Individual film tickets:
$13 General Admission
$10 Student/Child/Senior
$7 Member
Full-festival pass sales are for NWFF members only; we will not be selling passes for the general public.
⚠️ Public safety notice ⚠️
NWFF patrons will be required to double-mask while in the building. Disposable masks are available at the door for those who need them.
Patrons ages 5+ will also be required to present proof of COVID-19 vaccination. For SUNDANCE ONLY: a negative test will not serve as a replacement for vaccination. Boosters are strongly recommended, though not required for entry.
NWFF is adapting to evolving recommendations to protect the public from COVID-19. Read more about their policies regarding cleaning, masks, and capacity limitations here.
Festival - Sundance Film Festival 2022 @ NWFF
Visiting Artist
** Directors Sky Hopinka (Kicking the Clouds) and Nicole Stafford (The Hork) in attendance! **
Chilly and Milly
Exploring the director’s father’s chronic health problems, as a diabetic with kidney failure, and his mother’s role as his eternal caretaker. A combination of 3D-modeled/composited characters, with cinema verité scenes from a documentary shot over 13 years ago. World Premiere.
(William David Caballero, US, 9 min)
Kicking the Clouds
An experimental documentary centered on a 50-year-old cassette tape of a Pechanga language lesson between the director’s grandmother and great-grandmother, and contextualized by an interview with his mother in his Pacific Northwest hometown. World Premiere.
(Sky Hopinka, US, 15 min)
The Hork
* Director Nicole Stafford in attendance for a post-screening Q&A! *
In an alternate dimension, the stoic God of Power-Unrecognized waits for unrelenting Greed to come and consume her power.
(Nicole Stafford, US, 4 min)
the subconscious art of graffiti removal
Funding for anti-graffiti campaigns sometimes outweighs funding for the arts, as graffiti removal has secured its place in the history of modern art while being created by artists who are unconscious of their artistic achievements. (40th Anniversary Shorts Program)
(Matt McCormick, US, 16 min)