Thu Nov 9
7.00pm
7.00pm
Lights Dance Fest 2023 – PRISM [Hybrid]
film
VIRTUAL PASSES (11/9–11/17):
IN-PERSON PASSES (11/9–11/11):
(~28 min TRT)
Header photo credit: Contacting Tango, dir. Juliet McMains
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum’s ground floor, which is wheelchair accessible. All doors in Northwest Film Forum are non-motorized, and may require staff assistance to open. Our upstairs workshop room is not wheelchair accessible.
We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter. Also available at the front desk is a Sensory Kit you can borrow, which includes a Communication Card, noise-reducing headphones, and fidget toys.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at cris@nwfilmforum.org. Our phone number (206-329-2629) is voicemail-only, but we check it often.
Made possible due to a grant from Seattle Office of Arts & Culture, in partnership with Sensory Access, our Sensory Access document presents a visual and descriptive walk-through of the NWFF space. View it in advance of attending an in-person event at bit.ly/nwffsocialnarrativepdf, in order to prepare yourself for the experience.
NWFF patrons will be required to wear masks that cover both nose and mouth while in the building. Disposable masks are available at the door for those who need them. We are not currently checking vaccination cards. Recent variants of COVID-19 readily infect and spread between individuals regardless of vaccination status.
Read more about NWFF’s policies regarding cleaning, masks, and capacity limitations here.
(Juliet McMains, US, 2023, 4 min)
This intimate videoportrait of Irina Jabsa and Guadalupe Santiago showcases the art of contactango, a fusión of contact improvisation and tango. Bringing the principles of contact improvisation into dialogue with tango not only increases tango’s creative range in terms of body shapes, embrace, and vocabulary, but it interrupts tango’s gendered lead/follow binary. The roles of leader and follower are exchanged so frequently and fluidly that the border between the two roles starts to dissolve.
(Mersolis Schöne, Austria, 2023, 13 min) ** World premiered at Venice Experimental Video and Performing Art Festival in Italy (April 23, 2022) **
Touches are journeys – A film poem about the multi-faceted journey of interpersonal, intercultural encounters. How are we connected with each other? Based on a poetic text collage by Marion Steinfellner, which brings together Indian, Japanese, German, and Austrian texts by Yuko Kaseki, Savita Rani, Mersolis Schöne, and Marion Steinfellner.
(Bernardo Alevato & Taianne Oliveira, Brazil, 2023, 2 min)
An experiment with time, form and movement in a generative dance film using AI and video.
(Brian Toh, Singapore, 2023, 5 min) ** Top 10 Selection at Lion City Dance Film Festival, Singapore (July 18, 2023) **
“I wish you stayed! I wish I stayed too, now I wish I stayed, I wished I’d done a lot of things. I wish I stayed.”
A screendance film exploring the way in which we tell stories through movement; iwishyoustayed reflects on the complexities of power relations in intimacy. Instead of seeking excuses for violence, the film and its makers wish to understand and display a male perspective (and more extensively that on more diverse gender dynamics) in abusive relationships.
The choreography was constructed based on pedestrian movements and is deliberately made to not feel like a dance. It experiments with the limits of telling subtle, intricate feelings, by borrowing from filmmaker concepts of blocking and performance for “the camera.”
(Marianna Mørkøre, Rannvá Káradóttir, Denmark, 2023, 2 min) ** World premiered at CPH STAGE, Copenhagen, Denmark (June 3, 2022) **
EIR is a film collaboration between Rammatik and Riva Dance Company.
The film is an experimental venture to capture the dynamic choreography of the stage production Risin & Kellingin, created by three choreographers; Búi Rouch, Julia Ehrstrand and Rannvá Guðrunardóttir Niclasen.
Rammatik – composed of Rannvá Káradóttir & Marianna Mørkøre – has made a cinematic interpretation of this dance piece which invites the viewers to create their own narrative.
(Alexander Olivieri, US, 2023, 2 min)
A detour away from city limits towards desert winds and rugged terrain, the dancer weathers his corduroy through color grades of gender exploration and movement-centered introspection.
This year’s festival is inspired by the arduous yet enriching journeys of rediscovery, awakening, and transformation that not only reignite our sense of purpose, but also breathe new life into our relationships and creative praxis.
Please join us for the three programs that our team carefully curated: “PRISM,” “Turtles All the Way Down,” and “Resurgence.” Nov. 9 & 10, in-person screenings will be held at NWFF – virtual screenings will also be available from Nov. 9–17.