We’re excited to welcome a new member to our team this Spring!

CHIMAERA is a multidisciplinary conceptual artist, curator, producer, community organizer and educator from Tacoma, WA. They are most excited about getting to know the NWFF community and engaging filmmakers throughout the Northwest that have been historically marginalized in the film industry as creators, curators, mentors and educators. They look forward to supporting the work of a new wave of creative visionaries with the insigh…

Attention PNW filmmakers!

Through June 15th, we will be accepting entries for the 21st Local Sightings Film Festival (September 21–29, 2018).

Every year, Local Sightings showcases the films and filmmakers of the Pacific Northwest. All types of moving image media are eligible; projects must be finished within the last 18 months, and the filmmaker(s) must be based in Washington, Oregon, Alaska, Idaho, Montana, British Columbia, or the Yukon Territories. The 21st edition will feature specia…

National Endowment for the Arts Chairman Jane Chu has approved more than $25 million in grants as part of the NEA’s first major funding announcement for fiscal year 2018. Included in this announcement is an Art Works grant of $20,000 to Northwest Film Forum for curated film exhibition and artist programs. The Art Works category is the NEA’s largest funding category and supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with d…

Reading press reviews for Bob Byington’s latest film, Infinity Baby, is a bit of a head-scratcher in-and-of-itself. Can one say it is a good thing for a film to be called “caustic” and “funny” in the same breath? How about “gleefully sardonic” or “skillfully obtuse”? It seems everything complimentary about this film is also tongue-in-cheek and contradictory, but that’s exactly the charm of the film’s unconventional and irreverent humor. After all, due to abortion being made illegal and …

(Pictured above:) Jason London and Jasmine Skloss-Harrison on the set of As Far As The Eye Can See, with production sound mixer Nikki Dengel in the background.

After many years as a film professor and editor, director David Franklin decided to take creative matters into his own hands with his first feature film, As Far As The Eye Can See. Written over two years by Franklin’s producing partner, Paden Fallis, As Far As The Eye Can See …